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Śaṅkara Charitam – A Re-telling – Chapter – 01
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Śaṅkara Charitam – A Re-telling – Chapter – 01

Shri Ramesh Venkatraman delves into detail about the life and the times of Jagadguru Shri Adi Śaṅkaracharya, and his impact on Sanātana Dharma, on the basis of his study of two authoritative texts on Śaṅkara: The Mādhaviya-Śaṅkara-Digvijayam of Jagadaguru Śri Vidyaranya Mahaswami, 12th ācārya of Dakshinamnaya Sringeri Sharada Peetam; and Śaṅkara Charitam, a collection of talks given by the Paramācārya of Kānchi, Jagadaguru Śri Chandrashekarendra Saraswati, the 68th Jagadguru of the Kānchi Kāmakoti Peetha.
In the first chapter of the series of essays that will be published every Thursday (Guruvāsaram), we learn about the circumstances that necessitated the emergence of an avatāra-puruṣa in Kaliyugā.

How Kāntārā Captures Shakti: The Language of Force;  The Language of power
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How Kāntārā Captures Shakti: The Language of Force; The Language of power

The success of a film as openly native and dharmic as Kāntārā is a spark of light for the multiple clusters of the Indic civilisation that have been languishing under ignorance and apathy for decades. Maitreyi Veera explores how certain scenes of the film seem to have hidden meanings corresponding to dharmik texts, including Itihāsa and Purānā

Gyaana and Adhikara
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Gyaana and Adhikara

Should trade secrets be revealed to all and sundry? Do the custodians of groundbreaking technology and classified information have the right to shield their secrets from prying eyes? If yes, then the courtesy should be extended to ancient dharmik knowledge systems as well - the concept of Adhikara of access to exclusive information and knowledge; and access should only be granted to those with Adhikara as allowed by Dharma Shastras.

Ayodhya Forever
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Ayodhya Forever

Dr. Koenraad Elst recounts his recent trip to Ayodhya, while analysing its historicity and devotional zeal; and takes an evaluative look at the road ahead for Hindus to preserve important dharmik sites from the tourism-driven, possibly unnecessary beautification and commercialisation.