Charvaka has long been dismissed as a philosophy of excess, yet this caricature stems from an ascetic worldview that treats pleasure as inherently suspect. When perception alone is accepted as truth, morality need not depend on divine command but on an intrinsic human compass. The author contends that the Charvaka tradition reminds us that seeking material pleasure is not a fall from grace, but a legitimate way of living without forfeiting moral sense.
Latest Posts
Naseeruddin Shah’s ‘Shahi’ Film Censorship Code
Naseeruddin Shah’s public interventions reveal a pattern - a demand for self-censorship that shields minorities from critique while freely vilifying the Hindu majority. His outbursts against films like Dev and A Wednesday were not about artistic principles but about enforcing an unspoken “purge agenda” that polices how minorities may be portrayed. Shah and other minority-progressive celebrities present this as secularism, yet their selective outrage exposes a deeper communal and political bias. The result is a moral narrative that gaslights Hindus while granting ideological immunity to the groups they favour.
Yoga Darśana: The Jīva’s Discipline Amidst Jagat and Īśvara
This essay by Garikapati Pavan Kumar explores the Vedic and Upaniṣadic foundations of Yoga, tracing its disciplined trajectory through the four pādas of the Yoga Sūtras and culminating in the realization of svarūpa and kaivalya. It is written with a commitment to śāstric clarity, and philosophical depth.
Khan Abdul Ghaffar Khan: Liberal or fanatic?
Was Khan Abdul Ghaffar Khan truly the “Frontier Gandhi”, a liberal humanist wronged by history, or a devout fanatic disguised in Gandhian robes? This essay revisits that question through forgotten records, overlooked testimonies, and Sita Ram Goel’s sharp insights. From Pashto pride to Pakistan’s politics, the story unravels a man far more complex and perhaps less idealistic than the hagiographies suggest.
Minority-Progressive Celebrities: Part 2 Changing Landscape
In post-Independence India, a subtle yet systematic ‘purge agenda’ took root. One that equated Hinduism with regressiveness, glorified Western ideologies, and sanctified minority identities. This framework shaped India’s cultural narrative for decades, legitimized by Nehruvian socialism, in the name of secularism, and propagated through the film industry and its so-called ‘Minority Progressive Celebrities’ (MPCs). Today, however, Hindus are awakening to this manipulation and are reclaiming their cultural voice and civilizational heritage.