A Hindu temple and its properties do not belong to the government, the public or even the Hindu community — they belong solely to the residing deity, the Pradhana Devata. Historical arguments about coercion in temple land donations ignore the broader reality that all land ownership has evolved under different rulers. While institutions like the Waqf Board retain vast properties, temples face state control and encroachment, reducing them to mere revenue sources. This neglect betrays both the faith of past donors and the cultural heritage temples embody.
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As we pass the 2025 Oscars, Charu Uppal recalls the grand success of the movie Oppenheimer in the 2024 Oscars. In this open letter to the director Christopher Nolan, she points out how the movie conspicuously avoids showing the suffering of the Japanese people, barely mentioning the names Hiroshima and Nagasaki. Even more troubling is the decision to juxtapose the sacred Bhagavad Gita with an intimate scene — a choice that was neither accidental nor faithful to historical context. In an industry that does not shy away from showing violence, the film omits the human cost of the bomb while including a scene that offended millions. Creative freedom is vital, but so is cultural responsibility.
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Mahadev Shambhu – The Story of a Gram-Devata
This story by Rati Hegde, about Mahadev Shambhu, a Gram-Devata, captures the the reality of many such deities and their temples in India. It traces the socio-economic and cultural shifts that have shaped the ecosystem of these temples through the decades. The author paints a poignant picture of how duty and devotion have given way to reluctant obligation even as these deities continue to remain central to the Hindu faith.