In this review of Kantara, Rohan Raghav Sharma tackles the allegations that the film depicts women in a poor light by analysing the actions of the key characters as well as scenes that may be interpreted as such.
The success of a film as openly native and dharmic as Kāntārā is a spark of light for the multiple clusters of the Indic civilisation that have been languishing under ignorance and apathy for decades. Maitreyi Veera explores how certain scenes of the film seem to have hidden meanings corresponding to dharmik texts, including Itihāsa and Purānā