A single mustard-and-maroon saree becomes the thread weaving together generations of memory. As a mother recounts its journey - from saree to half-saree, curtain, cushion cover, and album cover—her daughter discovers how fabric can carry family history. Each transformation holds laughter, sisterly love, and the ingenuity of making do with what one has. In the end, the saree becomes more than clothing - it becomes a living archive of relationships, creativity, and continuity.
First published in 2016, Rajiv Malhotra's 'The Battle for Sanskrit' is as relevant today as it was then. In the book, the author challenges dominant Western narratives that seek to desacralize Sanskrit by stripping it of its religious and cultural significance. Written in an easy-to-read style with scholarly insights, the book urges both traditional and modern readers to engage in an honest dialogue. The book is an important one that defends heritage and also seeks to de-westernise Indology.
As we pass the 2025 Oscars, Charu Uppal recalls the grand success of the movie Oppenheimer in the 2024 Oscars. In this open letter to the director Christopher Nolan, she points out how the movie conspicuously avoids showing the suffering of the Japanese people, barely mentioning the names Hiroshima and Nagasaki. Even more troubling is the decision to juxtapose the sacred Bhagavad Gita with an intimate scene — a choice that was neither accidental nor faithful to historical context. In an industry that does not shy away from showing violence, the film omits the human cost of the bomb while including a scene that offended millions. Creative freedom is vital, but so is cultural responsibility.
Kishkindha, as the kingdom of the Vanara King Sugriva evokes feelings that transport you to another time.