Year: <span>2023</span>

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Hymns to Brahman – Part 1; By Rabindranath Tagore
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Hymns to Brahman – Part 1; By Rabindranath Tagore

These verses are selected and translated from the poet Rabindranath Tagore’s vast repertoire of Bengali Brahamsangeet song lyrics. These song lyrics are rich in terms of literary finesse, outstanding as musical compositions of a classical or semi-classical nature; and, they demonstrate an intense religious longing in the poet – a yearning to attain and dwell in a constant state of union with the Divine.

Śaṅkara Charitam – a re-telling – Chapter 07
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Śaṅkara Charitam – a re-telling – Chapter 07

In the 7th Chapter of Śaṅkara Charitam, Shri Ramesh Venkatraman brings to us the next stage of Śaṅkara's life - the commencement of his education at Gurukula, his feats at his Gurukula and the conclusion of his education. During his stay at his Gurukula, and while learning and living the Āśrama Dharma of the Brahmacāri; Śaṅkara performs an unimaginable feat which leaves bystanders, and even his guru, in no doubt about his divinity.

India’s History: Part I, By Rabindranath Tagore
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India’s History: Part I, By Rabindranath Tagore

This is an English translation of the essay “Bharatbarsher Itihas” by Rabindranath Tagore, to be found in his anthology of Bengali essays entitled “Bharatavarsha”. The anthology contains several of Rabindranath’s longish essays concerning historical, cultural, and political dimensions of India, all written between 1901 and 1905, a period which can be described as the zenith of Bengal’s (and in turn, India’s) rebirth in the Modern Era. Each of these essays, though deeply embedded within the historical context of the author’s time and space, is largely relevant for all of India today.

Vaatsalyam – In Philosophy, Life and Dance
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Vaatsalyam – In Philosophy, Life and Dance

Parenting is tough; and even tougher is dharmik parenting, ensuring that impressionable growing minds take root in dharma and safeguarding them from the winds of trends that are sweeping the world.
One's own belief system, and complete sharanagti to one's ishta is a powerful tool and support in such a situation. Classical dancer Smt. Ramaa Venugopalan captures her tryst with dharmik parenting; and the support her belief in Mahalakshmi-Narayana, and her bharatanatyam background have provided her in her journey as a mother to explore and understand the depths of Vaatsalyam.