Is Dhurandhar propaganda - or a challenge to Bollywood's dominant ideological narrative? Sriram Chellapilla argues that the film breaks from decades of cinematic conventions that framed Pakistan, nationalism, and secularism through a particular political lens. In doing so, it exposes Bollywood's own embedded propaganda structures and gives expression to viewpoints long excluded from mainstream storytelling. The essay presents Dhurandhar not as propaganda, but as powerful counterpropaganda against an entrenched ideological and political narrative.
