Sampāti and Jaṭāyu - brothers bound by blood and separated by fire. The literal fire of the sun that burns them, and the fire of penance that purifies them and provides deliverance - Jatāyu dies in the hands of Rāma and finds deliverance in death while Sampāti in his rebirth.
The Ramayana is an epic of unparalleled significance in Hindu mythology. It is rightly and widely regarded as a story that epitomizes righteousness, duty, sacrifice, and devotion. At its heart, however, lies the eternal love story of Prabhu Shri Rama and Mata Sita; a divine saga that transcends the boundaries of time and serves as the very essence of the epic.
An analytical look at some of the more controversial actions of Shri Rama, from the lenses of ancient as well as modern thoughts.
In the novel, Uttara Kaanda, renowned novelist, Shri S L Bhyrappa is on an odyssey. An odyssey through the eyes of his protagonist, Sita; the daughter of Janaka, wife of Rama, and mother of Lava-Kusha but also something more, something that belongs only to herself. Something that makes Sita who she is.
Sita is not ‘Devi’ in Uttara Kaanda, but she is most definitely either our Mata, our Bhagini or our Kanya. That is why our hearts beat with Sita of Uttara Kaanda.
The Ramayana is not simply a chronicle of Shri Rama's life and times on Earth, but also an epic saga that holds within itself much for both the devout and the rational.
Each of the characters is fascinating, but there are some that shine like gems in their limited roles without making too much noise. One such character is that of Sumitra, one of the three chief queens of king Dasharatha of Ayodhya, the other two being Kausalya, and Kaikeyi. This article aims to understand Sumitra's character in deeper detail through textual references from both the Valmiki Ramayana as well as Tulsidas's Ramacharitamanasa.
Is Shri Ramacharitamanasa only a chronicle of Shri Rama's life and times on Earth, or does it hold deeper hidden meanings revealed to the devout upon contemplation?
There has been only one maryādā purushottama and dharma parāyana leader of the people of this land, Sri Rama.
The tradition of storytelling is as old as Hindu culture with its immense impact having defined our very way of life.
Multiple attacks through the centuries with epigraphic evidence shows the importance of Ayodhya.
Madhubani Art has a rich history which is steeped in stories from the Ramayana and Mahabharata which till very recently was not known to most Indians.