This article by Sriram Chellapilla, the fifth in a series of essays on the subject, argues that celebrity anguish over press freedom, NGOs, and society functions less as moral concern and more as selective political signaling. Using Naseeruddin Shah’s statements as a framing device, the author exposes how unelected NGOs, opaque media ownership, and celebrity activism often mask ideological agendas behind the language of freedom. Chellapilla contends that scrutiny of NGOs and media is neither new nor authoritarian, having been pursued by successive governments. What is troubling, he argues, is the hypocrisy of invoking free speech only when aligned with preferred politics, while remaining silent on censorship and intimidation by “secular” regimes.
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January 21, 2026January 21, 2026COMMENTARY
Communal Echoes in ‘Secular’ Discourse : Tropes and Themes in Naseeruddin Shah’s ‘Secular’ Rants
In the next essay of the series of articles on minority-progressive celebrities, Sriram Chellapilla dissects Naseeruddin Shah’s polemics to expose a familiar pattern in India’s “secular” discourse: the distortion of arguments, selective outrage, and the reflexive defense of Mughal icons like Aurangzeb. Through close textual analysis and historical context, the essay shows how misrepresentation, straw-manning, and moral asymmetry function as tools of what the author terms the Minority-Progressive Celebrity (MPC) narrative. At its core, the piece interrogates how Hinduphobia is normalized under the guise of liberalism while minority fundamentalism is minimized or denied.

