In the next essay of the series of articles on minority-progressive celebrities, Sriram Chellapilla dissects Naseeruddin Shah’s polemics to expose a familiar pattern in India’s “secular” discourse: the distortion of arguments, selective outrage, and the reflexive defense of Mughal icons like Aurangzeb. Through close textual analysis and historical context, the essay shows how misrepresentation, straw-manning, and moral asymmetry function as tools of what the author terms the Minority-Progressive Celebrity (MPC) narrative. At its core, the piece interrogates how Hinduphobia is normalized under the guise of liberalism while minority fundamentalism is minimized or denied.
